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Ghostyhead: Rickie Lee Jones' Trippy Trip-Hop Album

Ghostyhead is the seventh studio album by the singer-songwriter Rickie Lee Jones, released in 1997 on Warner Bros. Records. The album marked a departure from Jones' previous folk-rock and jazz-pop style, as she experimented with trip-hop beats, electronic sounds, and free-form structures. The result is a dark, atmospheric, and adventurous album that showcases Jones' musical versatility and creativity.

The album's title comes from a nickname that Jones gave to her daughter Charlotte when she was a baby. Jones explained: "She had this little ghosty head that would appear in the dark. She was so pale and her hair was so light, she looked like a little ghost."

The album features 10 tracks, each with its own mood and story. Some of the songs are inspired by Jones' personal experiences, such as "Little Yellow Town", which reflects on her childhood in Arizona, and "Howard", which pays tribute to her late friend and collaborator Howard Burke. Other songs are more abstract and surreal, such as "Firewalker", which describes a mystical journey through a desert, and "Scary Chinese Movie", which evokes a nightmarish vision of Hollywood.

The album received mixed reviews from critics, who praised Jones' courage and innovation but also criticized her lack of melody and coherence. Some fans were also alienated by the radical change in Jones' sound and direction. However, the album also gained new admirers who appreciated Jones' experimentation and originality. Ghostyhead is now considered a cult classic and a hidden gem in Jones' discography.

If you are looking for a rare and unique album by one of the most talented and influential female artists of our time, you should check out Ghostyhead by Rickie Lee Jones. You can buy or stream the album online from various sources[^1^] [^2^]. You can also listen to some of the songs on YouTube or Spotify.One of the most distinctive aspects of Ghostyhead is the use of trip-hop beats and electronic sounds, which create a contrast with Jones' organic and expressive voice. Jones was influenced by the music of artists such as Portishead, Tricky, and Beth Orton, who were popular in the mid-1990s. Jones said: "I wanted to make a record that sounded like what I was listening to."

However, Jones did not simply copy the trip-hop style, but rather adapted it to her own vision and personality. She collaborated with various musicians and producers, such as Rick Boston, Lee Cantelon, and Pete Thomas, who helped her shape the sound and texture of the album. Jones also played various instruments herself, such as guitar, keyboards, harmonica, and percussion. She said: "I wanted to make a record that was more like painting than writing songs."

Another notable feature of Ghostyhead is the lyrical content and style, which are more abstract and impressionistic than Jones' previous albums. Jones said: "I wanted to write lyrics that were more like poetry than stories." Some of the lyrics are inspired by Jones' reading of authors such as William Blake, Rumi, and Carlos Castaneda. Jones also used a technique called "cut-up", which involves rearranging words and phrases from different sources to create new meanings. Jones said: "I wanted to write lyrics that were more like collage than narrative." 248dff8e21


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